About Me

My name is Michael Morris, I am a photographer who came to photography later in life.  I started with digital and found it unrewarding so after a short time with MF, I moved to LF 4X5.  Almost everything I do now is large format B&W.  I am working to improve my technical and artistic skills constantly.  Living in Phoenix, I have access to some very good photographers who are willing to help and teach.  I am on a journey exploring photography, the US, and myself to some extent.  Along with my wife Mary, we are traveling the US together, cameras follow us everywhere and as we travel, this BLOG is updated.  It is very much a journal of my journey with ramblings about everything from the photograph I took while traveling, to the ah-ha moments when something new is grasped.

The old masters work is enthralling to me and I spend a lot of time looking at their work as well as most other work I have access to.  

 

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Entries in quality of light (2)

Tuesday
Mar022010

The Quality of Light -- Soft Light 1

 Og my photographs this top one was the first photo I had ever noticed this effect in.  Soft, grainy but yet,  sharp.  I know the room well and it always has nice soft light.  During certain times of the day there are shafts of light coming in but I have never been successful in taking advantage of those, always way too much contrast to really make it work.  But, the sink area photo has this effect as shown below in the 100% crop of the photo.

As you can see here, this is a great effect for this photo.  So what made it happen, I am not totally clear on that yet.  One component is soft diffuse light.  I could be wrong but it seems as though plus processing also tends to enhance the effect.  So how to recognize when the effect will be there is somewhat of a puzzle still.  Through experimentation I hope to continue to nibble away at the answer.

An example of one that was shot in  very soft light and plus processed is this one from Fort Ross in California.  It was a long exposure on ISO 400 TMax film.  The Kitchen was shot on ISO 100 so perhaps that is part of the equation.  The 100% crop below shows none of the same effect.

Sunday
Feb282010

Bold Contrast 1

This weekend turned into another disappointment because of inaccurate weather forecasts.  I was planning to spend one day waiting for light and another hiking in the Superstitions to get a good view of Weavers Needle.  But alas, because of the forecast of high winds on saturday (which never happened) we did not do the hike, postponed it until today.  Now it appears it will be raining most of the day and after the rain last night I do not with to be climbing around on the bedrock so no hike today.  But I may still be able to go to Lost Dutchman State Park and find some nice weather and light.  Maybe do a short hike there as well.

So the series on Quality of Light will start with a couple of bold contrast photos that I think worked.  Both of these were shot before I ever started thinking about bold contrast in the manner that I think of it today.  Both were pre-visualized to have strong contrast.  The top photo is gears in a machine at Saguaro Ranch Park.  The midday sun was shining directly on the machine with strong shadows.  There is no shadow detail and in this scan, no texture however in the print there is a little texture in the shadows.  But the highlights are there and the strong shadows which gives this a stark, almost harsh appearance which was the intention.    The shadows are small enough that the lack of detail is not distracting but large enough to be a significant part of the overall composition. 

The photo below is similar in that it was shot as a strong contrast scene to communicate the barren, harsh nature of the place, but was shot before I began thinking in the same lines as today.  Once again, detail is lost in the shadows and some of the highlights only have texture.  Strong and bold but those areas are small enough that it works, at least it works for me.  It says what I intended it to say and I find it visually pleasing.