About Me

My name is Michael Morris, I am a photographer who came to photography later in life.  I started with digital and found it unrewarding so after a short time with MF, I moved to LF 4X5.  Almost everything I do now is large format B&W.  I am working to improve my technical and artistic skills constantly.  Living in Phoenix, I have access to some very good photographers who are willing to help and teach.  I am on a journey exploring photography, the US, and myself to some extent.  Along with my wife Mary, we are traveling the US together, cameras follow us everywhere and as we travel, this BLOG is updated.  It is very much a journal of my journey with ramblings about everything from the photograph I took while traveling, to the ah-ha moments when something new is grasped.

The old masters work is enthralling to me and I spend a lot of time looking at their work as well as most other work I have access to.  

 

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Entries in mining (2)

Tuesday
Jul062010

Monday Morning

IMG_0577-2010-07-6-06-16.jpg?fileId=7611456

On Saturday and Sunday when we got up the air was calm and it was great for photography. We assumed it would remain the same on Monday so we put off photographing the blooming Yuccas until Monday morning. So the wind was still there Monday morning which put a stop to shooting the Yuccas with the large format cameras. That is the way it works sometimes though, not a major problem and really we had other things to shoot in the mornings anyway.

So we went to the location anyway because there were some railroad crossing shots that I wanted to get. Although I had fresh film and a changing tent, I forgot to bring boxes for the exposed film. It worked out just fine anyway because between Saturday and Sunday I shot all but 3 sheets of 4X5 film I had loaded. That pushed me to shoot the 8X10. I have not been shooting the 8X10 as much recently for a couple of reasons. The big trip in March I lost a lot of 8X10 negatives due to processing errors which damaged the emulsion. It seems that it is much easier to damage the emulsion on 8X10 than on 4X5 so I have changed the handling which seems to have solved that problem butI am still a bit leery of it. The second reason is that although most of the prints I make are 8X10, those which I really like I print in 11X14. Since I do not own an 8X10 enlarger, I am stuck with 8X10 contact prints only. Those 2 reasons have really slowed my 8X10 work down. I am working on getting an 8X10 enlarger which would make it possible to get past that issue. Contact prints have a quality that is more pleasant than projection prints but I have trouble getting past the size limitation. But with only 2 sheets of 4X5 left unexposed it was either take the time to load some film or shoot 8X10. The decision was easy enough, 8X10. But the wind was high enough that I shot 400 ISO only (4 sheets is all I carry) and work hard to open the aperture as much as possible to still get the desired DOF. It caused some compromises and there may still be some undesired movement in the plants, but there are still 2 more sheets to develop so I do not know if it was successful.

I shot the crossings with the 8X10 and then shot some of the Yuccas with the MF. We then headed back to the trailer to eat breakfast, pack up and head for home.

Bottom line is, we both really enjoyed the trip and hope to return again. The people were generally friendly, the country is beautiful, and there is a lot of variation in subject matter. From mining, to nature, to old buildings, all great subjects. Plus, it is close enough to make a long weekend trip work.

The 2 photos here are of Mogollon. A couple of the buildings you see in photos frequently. I hope to have the developing, scanning, and importing completed before tomorrow.

IMG_0595-2010-07-6-06-16.jpg?fileId=7611457

Tuesday
Dec082009

Renewed Energy

As many times as I have been to ghost towns, there is none quite like Vulture.  There is enough there to find something new every time and to keep my interest.  Bodie was interesting but it is too crowded, Vulture on the other hand is not crowded, you may only see a few people throughout the day.  That makes it ideal for shooting large format because you can take your time, go at whatever pace you wish, wander around and shoot as you like.  It is a great place to shoot.

There are a couple of holes in the chicken wire in the assay office that are large enough to shoot through.  I made a couple of negatives in there.  This one I like a lot, the other one it seems I had forgotten to level the camera and when straightened it was not so good. 

I did some preliminary prints of 4 negatives yesterday.  A couple may be the final prints, I need to sit down and look at them closely now.  The 2 from yesterday were printed, neither for today.

I find it fascinating that one week things were hard to find, the next week I was making choices between multiple good shots.  No clue what was different but it was certainly nice to be in the zone again.