About Me

My name is Michael Morris, I am a photographer who came to photography later in life.  I started with digital and found it unrewarding so after a short time with MF, I moved to LF 4X5.  Almost everything I do now is large format B&W.  I am working to improve my technical and artistic skills constantly.  Living in Phoenix, I have access to some very good photographers who are willing to help and teach.  I am on a journey exploring photography, the US, and myself to some extent.  Along with my wife Mary, we are traveling the US together, cameras follow us everywhere and as we travel, this BLOG is updated.  It is very much a journal of my journey with ramblings about everything from the photograph I took while traveling, to the ah-ha moments when something new is grasped.

The old masters work is enthralling to me and I spend a lot of time looking at their work as well as most other work I have access to.  

 

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Entries in arizona (20)

Thursday
Jul292010

Burned in Color

2010-07-25-Ektar-05-2010-07-29-06-37.jpg?fileId=7910936

Last weekend I went through a couple of rolls of Ektar in the Mamiya. A few of them are nice and may fit in with the overall project.

2010-07-25-Ektar-12-2010-07-29-06-37.jpg?fileId=7910937

The one above really shows an overview of the area we have been working. The fire did not travel far up on the Rim, most of the damage was below. This shows the burned area with some live trees in the distance. Just to the right is the Rim.

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This one was a must, after one of the storms the rainbow in the distance with the dead trees in the foreground is great.

Tuesday
Jul272010

A Different Perspective

2010-07-25-TMY-22-2010-07-27-06-18.jpg?fileId=7881220

The dead trees are an obvious thing to photograph and they do set the overall feeling of the place and time, but as with anything, they have a vast support network. Many of these are small and may not be noticed by themselves, but do provide support for the feeling of regeneration.

Most of the detail work has been done with digital and the MF film cameras. Although the 120mm macro lens is fantastic on the 4X5, many of the details require lying on the ground and positioning oneself over logs, on rocks, and on cliffs. I prefer to do that work with a smaller, hand-held camera. I have not seen fit to purchase a macro lens for the Mamiya yet, but recently acquired an extension tube which allows closeup work with it. It is a compromise, but as you can see here, it does a very good job.

The seeds above were lit so well it was impossible to ignore them. There are many of these plants there now spreading their seeds. You have to look to see them, but they are there.

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This abstract is bark from a dead tree. It makes wonderful abstracts. The fungus that hides so well until it produces fruit is there and during such an active monsoon season as this year, you can find an abundance of mushrooms, but with many, you gotta look close to find them.These orange balls are about 1/4 inch each.

2010-07-25-TMY-28-2010-07-27-06-18.jpg?fileId=7881222

Tuesday
Apr202010

Why Do You Photograph

Recently I have been a bit introspective.  Wondering why I choose photography.  In my youth I drew and painted with oils.  In my mid-years I developed computer hardware and software.  Now I am photographing.  

In the 7th grade I had a burning passion for painting with oils.  There was an art teacher that took a special interest in me and really helped me get started.  It was something that I loved to do and spent as much time as possible painting.  I never drew or painted from nature but rather from my imagination.  Then with a family and career I made a choice to put the art aside and focus on building a career that could support my family.

That was a reasonably successful career that went from designing computer hardware systems and later became writing and designing software.  I had a passion for this and put my all into it.  It is a creative endeavor and satisfied the need to create and express myself.  

I developed a deep love for nature and have backpacked extensively in central Arizona.  I never carried a camera on the trips but have many memories of the trips and some of the wonderful backcountry here.  

About 5 years ago now I was diagnosed with Hepatitis C and kidney cancer.  This was a shock and a bit of a wake up call.  I had spent my life creating things that quickly became obsolete.  There was no legacy left behind for my children to remember me by.  Nothing for the grandchildren to have a peek at who I was.  Remember, at this time it looked very much like I would not survive more than a couple of years.

So I began photographing.  It was more permanent than software and digital cameras were getting quite nice so I thought it would be interesting to photograph Arizona as I saw it.  This quickly became a passion, almost to the point of obsession.  There are those that label it as an obsession to this day.  But as I learned to control the camera I became less satisfied with the digital cameras, upgraded them, and then realized that film might be what I was looking for.  It seems it was and moved quickly form MF to LF film and there I am.

I had a desire to photograph most of my adult life but a camera more than a simple point and shoot was not in the cards until about 5 years ago.  So in a way, it was serendipity which brought me to photography.  But it was a strong desire to create something of myself which would last longer than the current version of software.  It was also a resurgence of the old promise I had made to myself to get back to a visual art later in life.

Thinking of different mediums the ones I connect with the most are those which are more permanent.  The ephemeral arts were a mysteriously.  Why would someone take the time to create something that will last only a few hours or days.  I appreciate these forms but have never understood why someone would create them.

Think about why you photograph.  What brought you to where you are, why do you pursue the art, or is it even an art to you.  A little introspection is a good thing.

Tuesday
Apr132010

Class Field Trip

Last Sunday the large format class had a field trip to Globe.  Globe in the morning, Miami in the afternoon and on the way home David and I stopped by Picketpost Mountain to shoot the windmill with the mountain in the background.  

It was a fun trip, I only took the 8X10.  It was a fun trip.  The building above is in Miami and I shot it last time as well but a little different perspective this time.  

There is an art fair in Miami this coming weekend.  Mary and I may check it out but I have 2 portrait shoots scheduled for this weekend and must be here in time to prepare for them.  Both are at 3PM so we may be able to go for a while and head back around noon.

Tuesday
Apr062010

Weavers Needle

This was the best photo of Weavers Needle from the hike.  I look at those taken by Jodie Forster from the same location.   Jodie is a great photographer and has a lot of wonderful work.  

This is not one that I will ever show but by taking the hike and shooting this I now know enough to make an overnight trip worthwhile.  I know which lenses will be best, where to shoot from, etc.  Simply need enough weather to make it interesting.  But the trip also demonstrated that I can make it, at least with camera gear only.  Now I can begin training to take an overnight trip with the 4X5.