About Me

My name is Michael Morris, I am a photographer who came to photography later in life.  I started with digital and found it unrewarding so after a short time with MF, I moved to LF 4X5.  Almost everything I do now is large format B&W.  I am working to improve my technical and artistic skills constantly.  Living in Phoenix, I have access to some very good photographers who are willing to help and teach.  I am on a journey exploring photography, the US, and myself to some extent.  Along with my wife Mary, we are traveling the US together, cameras follow us everywhere and as we travel, this BLOG is updated.  It is very much a journal of my journey with ramblings about everything from the photograph I took while traveling, to the ah-ha moments when something new is grasped.

The old masters work is enthralling to me and I spend a lot of time looking at their work as well as most other work I have access to.  

 

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Wednesday
01Jul2009

Abstracts

What do you shoot in the middle of the day when there are few interesting shadows and the light is so harsh you can not make a good photograph.  The same applies as for the overcast days.  Do closeups and abstracts.

Many times you can overcome poor light by doing abstracts.  Sometimes you will find an abstract where the harsh light enhances the scene.  The photo above is a coil of flat cable near the parking lot at Bodie.  I shot these twice, once in the harsh mid-day light and once in the late afternoon when the light was softer.  The original thought was that the harsher light would make interesting surface definition.  As it turned out, the angle of the sun was not the best for achieving the effect.  The negatives made later in the day tend to have better surface definition.

I watch for abstracts most of the time.  They can pop up anywhere and can be a very nice compliment to the series.  

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